Search results for "creative industries"
showing 10 items of 39 documents
Economic reasoning and creative industries progress
2017
ABSTRACTThis article offers a theoretical discussion on how major neoclassical economic theory assumptions blur the understanding of creative industries. By distinguishing between creative-rational and creative-intuitive industries, with different compositions of commercial and cultural attributes, we particularly show how the latter sector has characteristics and dynamics that are incompatible with a theory based on preference rationality, profit maximisation and equal access to information among actors. When customer utility is composed of economic, as well as aesthetic, spiritual, social, historical, symbolic and authenticity values, then all these will affect customers' willingness to p…
The creative class: do jobs follow people or do people follow jobs?
2017
Accepted manuscript version. Published version available in Regional Studies, DOI: 10.1080/00343404.2016.1254765 Regional adjustment models are applied to explore causal interaction between two types of people distinguished by educational attainment, and two types of jobs: creative class jobs and other jobs. Data used are for labour market regions in Finland, Norway and Sweden from the 2000s. Creative class jobs follow people with high educational attainment (one way causation), but creative class jobs also follow other jobs and vice versa (circular causation). The results suggest that stimulating creative class job growth could be accomplished through attracting people with higher educatio…
Reasons for Clustering of Creative Industries in Italy and Spain
2012
Creative industries and creative employment tend to concentrate around medium and large cities, forming creative local systems. We follow a multidisciplinary approach, based on cultural and creative economics, evolutionary geography and urban economics, in order to analyse the forces behind the clustering of employment in creative industries in a comparative analysis of Italy and Spain. The results show different patterns of clustering of creative employment in both countries. The historical and cultural endowments, the average size of creative industries, the size of the place, the productive diversity, and the concentration of human capital and creative class have been determined to be co…
Introduction. The aesthetics of migration: Reversals of marginality and the socio-political translation turn
2018
Translation has imposed itself with determination as a condition for intercultural and linguistic exchanges among human beings living in distant parts of the globe for millennia. Not only has it contributed to the understanding of sociocultural structures, political systems, and technological and digital processes, but it has also encouraged our knowledge of the world – strengthening our awareness of marginalities, liminalities and otherness, and, certainly, widening our interlinguistic and intercultural, as well as translinguistic and transcultural horizons. This volume ranges across disciplines and subjects in translation studies, critical migration and border studies, the visual and perf…
Data Bases and Statistical Systems: Culture
2015
The measurement of culture in statistical systems is a rather new endeavor. In international comparison, considerable differences exist in classifications and indicators. This article provides an overview of definitional and classificatory approaches as well as transnational attempts of harmonizing cultural statistics. In particular, statistical systems and databases are introduced with regard to the cultural industries, artists, and cultural producers, organizations responsible for the dissemination of culture, and consumers and recipients of culture.
Assessing Music Streaming and Industry Disruptions
2017
Digital change has profoundly affected the cultural and creative industries, yet there seems to be different accounts on how to best interpret these changes. In such a context, the music industries may provide valuable insights on digital change that may prove important and transferable to other content industries. Based on two recent studies on the Norwegian music market, this chapter explores the extent to which music streaming has disrupted the structures and interrelationships of traditional and new intermediaries in the music economy. It will be argued that music streaming in many ways represents a continuation of past models which seem to amplify incumbents’ position instead of challe…
Facing globalization and increased trade: Catalonia's evolution from industrial region to knowledge and creative economy
2011
Catalonia is experiencing a crucial transformation of its productive model. The main changes are exemplified by an intense process of substitution of the traditional aspects (low-technology manufacturing base and orientation towards internal markets) for a model of development characterized by the combined importance of creative industries and high-tech manufacturing activities, and oriented to external markets. The new competitive bases of the regional economy rely on three factors: urbanization and network economies, changes in the productive structure and the generation of innovations linked with export capacity. Resumen. Cataluna esta experimentando una transformacion crucial de su mode…
Economic development and the creative industries: a tale of causality
2014
Cultural and creative industries are thought to be a driver for economic growth. During the last decade, research has tried to link higher intensity of these industries with the region's welfare. However, this is a controversial relationship that still needs to be proved. In this article, we build a conceptual framework to help us test the possible causality between regional income generation and employment in the cultural and creative sectors. Using regional European data for 1999–2008, our results show that there is a significant feedback (bidirectional causality) between the per capita GDP and employment intensity in the cultural and creative industries, allowing us to conclude that ther…
Becoming and Being a Creative and Entrepreneurial Mum in Finland
2020
This chapter explores the pathways of mothers with young children into cultural and creative industries (CCIs). These women can be described as mumpreneurs, meaning that they combine running a business enterprise with looking after their children. Typically unstable, insecure, and unpredictable, CCIs also offer scope for great self-engagement and personal satisfaction. At the same time, the current culture of intensive mothering has made motherhood more challenging than in the past. Mumpreneurship may be a way to ‘have it all’ for the women interviewed for this study. However, critical researchers have suggested that this individual ‘choice’ locks women into marginalised roles in the neolib…
The impact of cultural and creative industries on the wealth of countries, regions and municipalities
2021
[EN] This paper compares the total impact of cultural and creative industries (CCIs) on per capita income of countries, regions and municipalities. We estimate the total effects of CCIs in 78 developed and developing countries in 5 continents, in 275 European regions and in 518 municipalities in the European region of Valencia, using data obtained from multiple databases and nonparametric local linear least squares. The average effects of CCIs are positive in the three territorial scales, in both low- and high-income locations, and increase in conjunction with increases in development, with high and very high developed places showing greater impacts. CCIs are, thus, a powerful resource for …